Neon Dreams

by
Anastasia Arellano

The red neon hotel sign illuminated the narrow street as Ruby exited the pick up truck. It sped off into the darkness. She sighed and lit a cigarette. A measly twenty dollars was waded in her fist. Wasn’t much, but it’d do. The H in the sign flickered. She’d grown to find its dull buzz over the parking lot comforting. It wasn’t what she’d pictured for her life when she’d moved to Nashville from her small town, but it was home.

Upstairs, Ruby lifted the mattress, pulling out her tiny savings, un-crumpling every dollar until she had a nice little green pile. For a moment she felt rich, like a country diva after a gig. That feeling never lasted, not after she counted the cash. It was enough for six more nights – a dollar menu item of her choice and one small bag. Just one. She ground her teeth and nervously chewed her nails till they were bleeding nubs. If she paid for two nights, she could work up her living costs, assuming she didn’t use all her energy at once. Ruby never called the hard white substance by its name. She wasn’t an addict. She was going to be the Grand Ole Opry’s next sold out sensation.

She traced her bleeding fingertips over the prominent scratch on the wall. Her seven-year-old Gibson used to lean against it until she sold it last week; a high school graduation gift from her grandfather. Eventually, she’d buy it back. She was going to be a star. She placed a call to her dealer, an old friend she played in bars with.

“Hey Madison! What’s up, girl?” he answered on the second ring. 

Silence. She stared at the bloody thumbprint. This was all temporary.


Anastasia Arellano is originally from California but now lives in Dublin, Ireland with her wife. She is a graduate of Trinity College Dublin, and holds a Master’s in Creative Writing. She writes for Wetpaint Life and Goodfullness. She’s had short stories published in McStorytellers and Honey + Lime, as well as poetry published in Smithereen’s Press. She recently completed her first solo YA novel, as well as a coauthored YA novel with fellow writer and Trinity graduate, Emma Guinness. When she’s not writing, she’s cooking, plastering her bedroom walls in storyboards, or seeking inspiration from the Irish landscape. You can follow her on Instagram @latingurl26 and Twitter @AnastasiaArell5

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I’m Not Dying

by
Kerri Davidson

My only picture of my grandpa shows him on our teddy bear brown couch holding me on his lap in my favorite red checked Strawberry Shortcake dress. I was so shy I’d hide behind the couch when babysitters came, but in this yellowed photo, I smiled in the safety of his grey cardigan sleeves. Soon after the picture was taken, both grandpa and I got sick. I had a passing childhood illness and got better. Grandpa didn’t. His face is still etched in my memory, not the breathing visage in the picture, but his closed eyes at his wake. That is the face I’ll never forget, the one I stared at when I rested my chin on the casket and peeked down at him. I thought he was asleep, until I slowly realized he would never wake up. I cried hysterically for him and for me and for endings, realizing what death was before I was old enough to read the word.

The next week in my weekly Bible class in the church across the street from my house, the teacher began a multi-week lesson on Heaven—where you go when you die, where my grandpa was. She described golden paths and shiny gates and loving a Being I’d never met. She asked the class to draw Heaven’s landscape as we imagined it, on paper with waxy crayons labeled Bittersweet, Burnt Sienna, and Flesh. I mixed the colors trying to create an atmosphere to call paradise, but there was no place I could draw that didn’t scare me, no place I wanted to be but across the street in my home with my family. I was just beginning to learn about the world I lived in, I wasn’t ready to picture a better place.

Every night after Bible class I was terrified to go to sleep—convinced that if I closed my eyes like grandpa, I would die too. After my mom tucked me in and turned out the light, I poked my head out of the covers and kept my eyes open so death couldn’t sneak up on me. The street light from the church parking lot across the street made my room glow a soft yellow and I’d sit up in bed and peek at the church—its walls collaged with our visions of Heaven. My mom had told me I was too young to die, that I was not sick like grandpa, but I couldn’t risk believing her. I would start to cry until my parents yelled across the hall, “Go to sleep! We have to work tomorrow, go to bed!” But I couldn’t be frightened into sleep—I was too frightened of it already.

Eventually, my older sister started sneaking into my room. She’d kneel next to my bed, hold my chubby hand and tell me I was going to be ok. She’d dry my tears and sing me a song she made up on the spot. I’d watch her lips move as the melodies dropped my guard and lulled me to sleep in spite of myself. She did this every night, every week. I never stopped fearing death—does anyone really? But I did stop fearing sleep. Her song was my security.

It was my grandpa who taught me about death, but my sister taught me about life. I learned you cannot keep a constant vigil for some inevitable event, that you are going to be scared in life, but, if you’re lucky, you will have a hand to hold and a voice to sing you through the dark.

Editor’s Note: I’m Not Dying was previously published in “Hope Whispers”, an anthology by Whispering Angel Books.


Kerri Davidson is a writer based in New York City. Kerri’s poetry chapbook,How to Fly, was published by Finishing Line Press in 2018. Her poem, This Moment, won the 2017 Heart Poetry Award and was published in the Heart 12 Anthology. Portions of her memoir have been published in Chicken Soup for the Soul: Power of the Positive, Hope Whispers,Skirt! Magazine, Bacopa Literary Journal, and The Sunlight Press Literary Journal. She co-wrote the screenplay for the award-winning short film, Finding You, which was named one of the Top Ten Films in the Film Lab’s 72 Hour Shootout competition and was screened in New York City and Los Angeles. Follow her on Facebook and Instagram: @thedustdancing and check out her website:www.kerridavidson.com.

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How Do Beach Girls Do It?

by
Anna Press

Every year, my husband Will and one of his friends from high school go on a road trip or a mini-vacation. Living three thousand miles apart or more, they have one of those enviable friendships of regular, if infrequent, correspondence, the kind that picks up exactly where it left off and is punctuated by these in-person, shared vacations.

Despite their differences in lifestyle–Danya is a dentist and consultant (sensible), and Will is a writer, grad student, and full-time dog-dad (an Aries)–they are both adventurous, something I am not; they enjoy vigorous activities like whitewater rafting, zip-lining, driving fast in expensive rental muscle cars, and eating barbeque and raw fish. This year, they decide to return to one of their favorite vacation locales, and after hearing about it for years, I somehow, despite being unemployed (and therefore not deserving of going on vacation), was coerced into agreeing to accompany them.

I had a bit of a breakdown after I finished my Master’s in secondary education, in May of 2017. The stress of the past year caught up to me, and I crashed, overwhelmed with feelings of worthlessness and incompetence. This vacation would be an opportunity to put myself back together. Time to actually do things I want to do, like read and write and enjoy myself. Time to repave precarious neural pathways and imagine new ways of being. Going to the beach? Not exactly my idea of a good time.

I am bad at vacationing and decidedly not a beach girl. I have what I consider to be a healthy suspicion of beaches, owing, no doubt, to having nearly drowned twice in my early childhood—and saved, once apiece, by each of my parents. I was once almost swept away by particularly aggressive gust of wind at a beach in Santa Monica after an otherwise very satisfying sea glass-collecting excursion and trip to the arcade at the Pier with my dad and brother. We walked along the old boardwalk, the thick wooden planks smoothed by wind, sun, and many feet, and just after we descended the stairs, I felt myself being dragged backwards. My feet scraped on the sandy concrete, my arms reached out for anything to grab, and my screams were whipped away from my mouth. As I was accepting imminent death, my dad noticed me struggling to move forward, and wrenched me to the side, out of the current. After that, the beach would take on other tactics.

Even my mother who “can’t swim,” the way I “can’t ride a bike,” enjoys beaches to a certain extent—she just doesn’t go in the water unless she has to. My mom can swim (she did in fact once dredge me from a furious riptide that pushed me from a beach, dragged me up a set of concrete stairs, and drew me bloodied back towards open water) and I can ride a bike, technically—we just aren’t confident in and don’t enjoy these respective activities, and are utterly disinterested in changing these qualities of ourselves. Imagine us both as gawky birds, although catlike in behavior. We both wear glasses, have similar mannerisms, and will say some of the same bewilderingly frumpy expressions, like “Everything in moderation,” and “Hope springs eternal,” both of which I have been earnestly spouting since the tender age of eight or nine. My mom is better at vacationing than I am. She can enjoy spas and will tolerate her teas and coffees with whole milk. She will occasionally treat herself to real bacon instead of extra crispy turkey bacon, which she normally allows herself on Sundays. She owns a lot of sandals, which she actually wears, both when on and not on vacation. I despise sandals and people I don’t know who wear them.

I haven’t been on a proper vacation in several years. When Will and I married, we didn’t even go on a real honeymoon—we were, at the time, living in Nashville, Tennessee, and indulged in an AirBnB in the West Village of New York when we went for Thanksgiving. We gorged ourselves on sushi and did a little shopping; my most extravagant purchase was a black hooded sweatshirt with an upside-down Nike logo and the phrase “JUST DON’T” in gold glitter.

I have trouble with the concept of vacation, which mostly stems from a lifetime of anxiety and double depression. I am neurotic and self-hating, and tend to believe that I don’t deserve to have a good time. How can I be good enough if I’m doing nothing? How can I relax if I’m not being productive, the easiest way to be good enough? Other people do not enjoy themselves around me that easily. I worry, I am frugal, I am restrictive. I am the wet blanket over the risky ideas. I am afraid of everything, and feel responsible for everything; that precise responsibility has halted me from acting out at my lowest points.

To complicate that already hectic matter, what sounds fun to other people often sounds nightmarish to me. Exhibit A: Beaches. I do not believe my anxiety or depression is a direct result of beach-related trauma, but I do believe beach-related trauma exacerbates my anxiety. And the threat of vacation most certainly does taunt depression, the red cape to a wounded bull.

I really don’t know how beach girls do it. They thrive in the natural environment wherein I am perhaps most uncomfortable. They are graceful; I am ungainly. They are like magnificent otters delightedly bathing in a bucket, and I am like several cats thrown into a bathtub, bug-eyed and yowling. You must know what I mean when I say, “beach girls.” There are many varieties of this joyful creature. Some of them are young and some of them are old. Some are loungers, reclining like sandy royalty and baking in the sun on fluffy towels; others are athletes, spiking volleyballs, catching Frisbees, bounding into the waves in wet suits with surf boards. They share open minds and hearts. They wear flip-flops. They genuinely enjoy getting saltwater in their eyes and sand between their toes. I am no such creature. I would go (and have gone) to embarrassing lengths to avoid these circumstances.

Over time, my healthy suspicion of beaches has turned into not just distrust, but ardent dislike. While I do actually like swimming in warmer and more enclosed bodies of water, and I enjoy baths more than most things, the ocean is not my friend. I have, at various points in life, conceded potential bias and attempted new ways of engaging with the sea: body surfing (disaster), sand-castle making (devastating), sunbathing (detrimental to your health and comfort). My uncle Phil once warned me as a kid never to turn my back on the ocean (and I’ve never forgotten that). The ocean is powerful, demanding of genuine respect. It feels your distrust and tugs away the sand beneath your feet, twines through your ankles like a thousand streaming cats that flick you with their tails and grace you with their presence, to gain your trust, and then bite you.

***

We drive in two cars for three hours to get to the beach. Everything is carefully planned. We are going to Montauk, the easternmost point of the United States, a unique biome, a magical place where in winter, it snows on the beach. That, I think, I’d like to see. It is, however, August.  Remarkably, I am so delighted to be on vacation that all I want is a chance to stretch my legs and maybe eat a nice pastry in a bit. I don’t care what beach we go to (or honestly, if we even make it to the beach at all on the first day), so I am sort of bemused by Will’s mounting anxiety. It is so rare that I am the calm one.

“Anna, you don’t get it,” he says tersely, over the phone, “I’ve been driving this car around for an hour, trying to find parking. I just need to get in the water. I want to feel the sea on my skin.”

Ugh.

Will illegally parks Dani’s rental car and pays an obscene sum for me to park by her surf instructor’s establishment, despite my protestations. I arrive perhaps twenty minutes after this fact, my heart sinking like a stone into the pit of my stomach. But this time, it is…raining. In all of the time I have spent running through different worst case scenarios and convincing myself of their inevitability, I have not considered this possibility. This is appalling. Audacious. It’s not even heavy, real, significant rain; that, I would welcome, as it might deter the most ambitious of beachgoers, driving them away to make sandy messes of their cars and showers upon return to their homes. This is spitting, inconvenient rain, rain that nags for attention but has nothing really, to say.

Dani is somewhere out at sea, a bright spot of a wetsuit on the horizon. I can just imagine the slightly frightening, steely glint in her eye as she faces down the crashing waves, her sandy blonde hair slicked back and restrained in a ponytail. Will, unfazed by the rain, is happily stripping off his t-shirt, socks, and shoes. He wore his swim trunks on the drive up and is not wasting any time. He is also relentless and charming in his efforts to cajole me into the water. At first, I am resolute in my refusal. I am adamantly still wearing the jeans I drove in, which I generously rolled up to the calf. That is the extent of the commitment I made this morning to getting into the water, and I fully intend to stick by it. Especially now that the sky is literally yawning drool and dribbling spit upon me. But finally, I cave. I roll the legs of my jeans once more, and venture forth. The cats in me shriek when the cold rushes over my toes and ankles. Water recedes and returns, icy, polluted, higher than I am anticipating, based on the first rush. I yelp and Will laughs at me, not unkindly, squeezing my hand and urging me forward. A wave crashes against my clothed knees, and I bail, rushing back to crumple on our towels, wet jeans clinging unpleasantly to my knees. My huge glasses are peppered with raindrops, and both my shirt and the zip-up I appropriately wore (as it is cold!) are thoroughly damp. Too damp to wipe my glasses. How monstrously uncivilized.

I use one of the towels to cover my face. “Anna!” Will shouts from the water. I reluctantly emerge from beneath the towel and fix him with what I hope is a wrathful stare. Beach girls flit in and out of my field of vision, practical beach girls, their long salty hair expertly whipped up in messy buns and elegant ponytails, their lithe bodies likely warmer than mine in their sleek wetsuits, their shaggy dogs yipping and running alongside them. Today, there are none of the beach girls who make me feel frumpy on my towel, the ones who tan in tiny bikinis, who have long smooth legs and never intended to get in the water to begin with. I sit there for an impossibly long time, fingers swollen and skin smarting from the barometric changes, sweaty yet wet, undignified, ridiculous, clumsy. At least they aren’t there to laugh at me.

“Will!” I yelp, when he emerges from the water to kindly check on me. “There’s water everywhere! It’s coming from the ground and it’s coming from the sky.” After a moment I add, “and it’s encroaching!” with a fervent wave of my arm, indicating the factually encroaching tide, as if he hasn’t noticed.

“That is how the ocean works!” He says, chuckling adorably. Fuck him for being adorable. The diffused light makes his skin seem slightly translucent, freckles delicate, cheeks pink with energy.

I seethe like the waves, although they are far more picturesque. I am so physically uncomfortable. I somehow have sand in my mouth and this injustice must be noted. Will musses my wet hair and says, “You look like you need windshield wipers,” sweeping his fingers towards my glasses like so.

Some vacation this is.

Will is like a puppy, all paws in the sand and a beaming smile. He returns to the water and I resolve to impersonate a beach girl. At least, in the rain, I cannot be the swimming type. I attempt to rig a tent out of one of the towels, so I can read my book beneath it. This fails miserably, the air so swollen with moisture that my fingers indent the pages, even smear some of the ink. The book returns to the safety of my bag. I bury my feet in the sand, as an ostrich would her head. If you can’t see me, I don’t exist to be preyed upon. Lions can’t hunt me; the sea cannot swallow me whole.

I am suddenly struck by the sand around me, which has taken on the most curious texture. I play arenologist for a moment, considering how it is gently packed down, damp, firm to sit on, but delicately dotted, like sandy pointillism. Like lace, almost. I probably alarm the frolicking beach girls as I practically press my nose into the sand, observing this phenomenon. It’s beautiful.

I take out my writer notebook, where I scribble down inane gibberish from time to time that is later entertaining to interpret, and try to jot down some notes about the beauty of the sand. Ink smears wildly, like watercolors, but I fill a few pages and lie back, exhilarated. Then I realize, my head has missed the towel and my hair is definitely now full of sand. Whatever. I watch the waves crash and trundle forward, foam fingers like filigree or lace, briefly and faintly decorating the sand. Hey, I wrote something!

To say the air smells salty belies the freshness of it. Salt is typical. This is cool, almost soothing.

When I close my eyes, the sound of the water fills my whole body. It’s cleansing. Primordial. It occurs to me why Montauk’s tagline is “the end,” as in, of the world. Forward is only water—for a few thousand miles. I let the sand settle into my hair and clothes and go somewhere else in my mind, where I am warm, dry, and cozy, unconcerned with my skin or hair, unencumbered by thoughts of drowning, dying, cover letters, or productivity, where–boredom is not the right word–my mind is empty and free, open, restoring itself by the warmth of the unscalding sun.

When Will finally emerges from the water, I can only be described as giddy. I’m bouncing off the proverbial walls, starving, delighted, willing to come back tomorrow. Where did this come from? Who am I? I practically skip in the sand as we make our way back to the car.

Will laughs, “You’re like a supercut of all those videos of cats being surprised by cucumbers,” he says, not at all wrong.

Surprised as I am to admit it, I amend, “But happy.”


Anna Press is a writer and educator from Los Angeles, where her distrust of beaches initially developed. She writes fiction and personal essays, and her book reviews can be found in Necessary Fiction, Glass Poetry, and the Columbia Journal. She now lives in Brooklyn with her husband and three rebellious dachshunds. Talk to her on Twitter at @annaepress.























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knot

by
Megan James

our tongue, mother—
our mother tongues

have been lost
to each other

with this distance
stammering

between us like
an awkward yawn

remember:
winding telephone

cords around fingers,
counting units

in the words
of your sentences

approximating toxicity
around each

fated loop
a sort of unbreaking

DNA structure,
a sort of tongue twister

you hurt me
& the remedy

is unreachable,
always just on the tip of my—


Megan James graduated from the University of Exeter in 2018 where she studied a BA in English. She is currently undertaking a Creative Writing MA at the University of Kent’s Paris School of Arts and Culture, specialising in poetry. Her work predominately focus on issues surrounding the female medical body, drawing on both feminist and medical research and her personal experience as a sufferer of chronic illness. Her poetry has been published by Eunoia Review, Projector magazine, and The Menteur, and has been shortlisted for the Creative Ink Writing Competition.

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inhale/exhale

by
Wanda Deglane

I wake up to the sound of my brother bleating like a pig / my sister gulping grief right behind him / I’m trying to sleep through the afternoon / wake up to quieter suffering / when the moon
ate the sun, my siblings only saw / the lonesomeness dancing circles around the two / while I
watched flower petals bow themselves / into crescent-shaped fingernails / look at these rooms /
all the memories they hold / white walls painted over by yellow that absorbed too much light /
always knew it was trying too hard / these door hinges have seen god / the stain above the bed
frame / doesn’t want to know what birthed it / there’s no mirrors in this house / we just have to
trust there’s no more blood/ nothing trickling from our sides / my brother holds steering wheels like dandelion-blown death wishes / he says existing is courageous / but right now, he feels like a
coward / I say / you’re heroic just for not screaming / I say / you can exhale now / I promise /
sister, if you need me, please scream / brother, I pray this isn’t the last time I see you / in the light
snaking from the crack in your door in the middle of the night / in the car disappearing quiet
around the corner.


Wanda Deglane is a Capricorn from Arizona. She is the daughter of Peruvian immigrants and attends Arizona State University. Her poetry has been published or forthcoming from Rust + Moth, Glass Poetry, L’ Ephemere Review, and Yes Poetry, among other lovely places. Wanda is the author of Rainlily (2018), Lady Saturn (Rhythm & Bones, 2019), Venus in Bloom (Porkbelly Press, 2019), and Bittersweet (Vegetarian Alcoholic Press, 2019).

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Tree Branch Unfurled And Defined.

by
Rachel Small

Father (m, pater):
1. a red skinned man who
peels work gloves off hands. 1.2. the
man who spent Thanksgiving
shooting a porcupine from the tree.
1.3. You drink the way he did, once.

Mother (f, matr):
1. a woman who went grey quickly but
stayed young. 1.2. the woman who cracked
herself open to have you. 1.3. a survivor of abuse
(and maker of survival).

Sister (f, soror)
1. the original voyager and discoverer of
world. 1.2. A golden star of success (your
sister wouldn’t be like this, they tell you). 1.3. a stand-in for
friends who vanish.

Daughter (f. dafter)
1. prime for production of future offspring. 1.2. girl
who scrubbed her face once with lemon juice to vanish
freckles. 1.3. the one willing to burn than be flawed.


Rachel Small writes in Ottawa. A post-undergrad student from Carleton University’s History program, she is currently a writer and editor for AtticVoices. Her writing has appeared in Talking Time,  Bywords and Pulp Poet’s Press, and she has work forthcoming in The Shore. You can find her on Twitter @rahel_taller. 

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In the future, my gender

by
Hannah Rego

In the future, my gender

awakes on the night cruise to Crete
while the other queers sleep
& doesn’t burn my ankles with cigarettes

In the future, my gender is grateful
to see you at the house party
but not because you found me
in the literal closet
where I hug a fire

extinguisher to my chest.
In the future my gender enters your
poorly insulated apartment

but because we’re the same
warm & the same laser tag
token exchanged for little aliens.
We win all the tickets playing
dance dance revolution
We don’t stomp, but gather all
the floaty glowy arrows
into one fine point in our arms

In the future my gender tells you
we’re all in the petri dish
& you apologize once

In the future my gender epitaphs
& when you step close to my grave
my gender is the laugh
at whoever brought flowers

Editor’s Note: In the future my gender was previously published in Underblong.


Hannah Rego is a writer from Lousiville, Kentucky. They have attended residencies and workshops through Spalding University’s Low-Res MFA, Sundress Academy for the Arts, Winter Tangerine, and the June Jordan Teaching Corp at Columbia University. They are an associate poetry editor at Rabbit Catastrophe Review and a founding editor of ctrl + v, a journal of collage. Their work appears or is forthcoming in Bettering American Poetry Vol. 3, BOMB Magazine, The Arkansas International, Glass, BOOTH, and elsewhere. They live in Brooklyn.


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Displaced

by
Csilla Richmond

you gave my bed away
so i planted a garden
in our living room
and made my own of flowers

if you’ve come to find me
i have made my home
in a nest
of human bones

where there are no doors
to close
there is no self
to grow

i am still waiting
to feel as if
my roots
have taken hold


Csilla Richmond grew up in Modesto, California and got her BA in English Literary Studies at Humboldt State University in Arcata. She’s been published in Lavender Review and Calliope, the literary magazine of University of the Pacific. She currently lives in Sacramento with her beautiful wife to be, two dogs, and cat. She spends most of her days reading or writing and works at a used bookstore on the side.

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咲/ bloom

by
Ava Toshiko Deutsch

The sixth time ice creeps up from nail beds,
know something is wrong
Pluck tiny petals off the vanhoutte spirea
behind the garage
and let them drift into sunless hair from above
Less a crown and more a veil

When resurfacing 19 years later,
the moon filtering through the canopy of Chuo Shinjuku Park
will remind you that you still exist

You don’t need to know something
to hide in it.


Ava teaches, advocates, and writes. She is a Japanese/Italian-Canadian interested in migration, belonging, and how mental health is filtered through diasporic experiences. She recently moved back to Toronto after time in New York and Tokyo.

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When Eden was an Orchard

by
Ellora Sutton

Walking through his mother’s lemon orchard
kaleidoscopic with yellow
I said,

‘what a strange fruit to choose
for all of your acres
(or your mother’s acres)’

although it was beautiful
fecund, fertile
and all the green that swamped

trees unruly
like ampersands
or fissures
or the way my body writhes when I laugh too hard

we do not live in a citric climate
and why not apples
or pears
or something you can pluck
and rub on your shirt

and crunch,
right there

but he just looked at me
and I learnt patience
perched on the elbow
of a lemon tree

just looked at me
the drought of lemon juice,
waxy skin and pith gumming teeth

mouth reef-knot shut
grimacing abrasion

just looked at me
as I waited
I breathed
that clean-hand smell
or that feeling of endless summer
or yellow as far as the eye can see
teenage years like in the movies

citrus tears fogged
him just looking at me,
as I realized

I would never be this young again.

By the gate was a fig bush.
He plucked one down for me
and called it convenience
but all I could see
were those cancerous
with wasps.


Ellora Sutton,21, is a recent Journalism and Creative Writing graduate from the tiny village of Kingsely in Hampshire, UK. Her work has been published or is forthcoming in Eye Flash Poetry Journal, Constellate Magazine, Young Poets Network, Blue Marble Review, and Paperfox Lit Mag, as well as being commended in the 2018 Winchester Poetry Prize. She currently works in a museum gift shop, where she is in a prime position to force her favourite books on the public.

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